Oscar_sound

2014 Oscar Nominated Sound Editing & Sound Mixing Nominees

February 25, 2014 4:45am

SOUND EDITING

The Academy Award for Best Sound Editing is an Academy Award granted yearly to a film exhibiting the finest or most aesthetic sound editing or sound design. The award is usually received by the Supervising Sound Editors of the film, perhaps accompanied by the Sound Designers.

The Sound of All is Lost - Steve Boeddeker and Richard Hymns

In this exclusive SoundWorks Collection profile we explore Director J.C. Chandor's new film, All is Lost. This film features only one character and contains almost no dialogue yet is brought to life by the talented sound and music team including Re-recording Mixer and Sound Designers Steve Boeddeker and Brandon Proctor and Supervising Sound Editor Richard Hymns of Skywalker Sound and Music Composer Alex Ebert.

The Sound of Gravity - Glenn Freemantle

In this exclusive SoundWorks Collection profile we talk with Director Alfonso Cuarón and Re-recording Mixer Skip Lievsay about the sound teams work to create a dramatic sound scape to a dark and vast outer space environment.

The Sound of The Hobbit: The Desolation of Smaug - Brent Burge

In this exclusive SoundWorks Collection sound profile we visit Park Road Post Studios in Wellington, New Zealand to talk with the sound team of Director Peter Jackson's The Hobbit: The Desolation of Smaug.

Featured interviews include Re-recording Mixer Michael Hedges, Re-recording Mixer Chris Boyes, Re-recording Mixer Michael Semanick, Re-recording Mixer Gary Summers, Composer Howard Shore, and Producer & Co-Screenplay Writer Philippa Boyens.

Captain Phillips - Oliver Tarney

Captain Phillips is a multi-layered examination of the 2009 hijacking of the U.S. container ship Maersk Alabama by a crew of Somali pirates. It is - through director Paul Greengrass's distinctive lens - simultaneously a pulse-pounding thriller, and a complex portrait of the myriad effects of globalization.

Lone Survivor - Wylie Stateman

In this exclusive SoundWorks Collection sound profile we talk with the Oscar nominated sound team behind Director Peter Berg's film Lone Survivor which is based on the 2007 nonfiction book of the same name by Marcus Luttrell and Patrick Robinson.

Featured interviews include Supervising Sound Editor Wylie Stateman, Re-recording Mixer Andy Koyama, Re-recording Mixer Beau Borders, Sound Designer Harry Cohen, Sound Editor Dror Mohar, Supervising Dialogue and ADR Editor Renee Tondelli, and Sound Editor Brandon Spencer.

SOUND MIXING

The Academy Award for Best Sound Mixing is an Academy Award that recognizes the finest or most euphonic sound mixing or recording, and is generally awarded to the production sound mixers and re-recording mixers of the winning film.

The Sound of Inside Llewyn Davis - Skip Lievsay, Greg Orloff and Peter F. Kurland

Directors Joel and Ethan Coen's INSIDE LLEWYN DAVIS follows a week in the life of a young folk singer as he navigates the Greenwich Village folk scene of 1961. Featured interviews include Executive Music Producer T-Bone Burnett, Production Mixer Peter Kurland, and Re-recording Mixer Greg Orloff.

The Sound of Gravity - Skip Lievsay, Niv Adiri, Christopher Benstead and Chris Munro

In this exclusive SoundWorks Collection profile we talk with Director Alfonso Cuarón and Re-recording Mixer Skip Lievsay about the sound teams work to create a dramatic sound scape to a dark and vast outer space environment.

The Sound of The Hobbit: The Desolation of Smaug - Christopher Boyes, Michael Hedges, Michael Semanick and Tony Johnson

In this exclusive SoundWorks Collection sound profile we visit Park Road Post Studios in Wellington, New Zealand to talk with the sound team of Director Peter Jackson's The Hobbit: The Desolation of Smaug.

Featured interviews include Re-recording Mixer Michael Hedges, Re-recording Mixer Chris Boyes, Re-recording Mixer Michael Semanick, Re-recording Mixer Gary Summers, Composer Howard Shore, and Producer & Co-Screenplay Writer Philippa Boyens.

Captain Phillips - Oliver Tarney

Captain Phillips is a multi-layered examination of the 2009 hijacking of the U.S. container ship Maersk Alabama by a crew of Somali pirates. It is - through director Paul Greengrass's distinctive lens - simultaneously a pulse-pounding thriller, and a complex portrait of the myriad effects of globalization.

Lone Survivor - Wylie Statement

In this exclusive SoundWorks Collection sound profile we talk with the Oscar nominated sound team behind Director Peter Berg's film Lone Survivor which is based on the 2007 nonfiction book of the same name by Marcus Luttrell and Patrick Robinson.

Featured interviews include Supervising Sound Editor Wylie Stateman, Re-recording Mixer Andy Koyama, Re-recording Mixer Beau Borders, Sound Designer Harry Cohen, Sound Editor Dror Mohar, Supervising Dialogue and ADR Editor Renee Tondelli, and Sound Editor Brandon Spencer.

Comments