"Tetro"
Posted In: american zoetrope, francis ford coppola, pete horner, tetro, walter murch
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What it must be like on the sound crew for a film like “Tetro”. Anyone would be nervous as hell to go and mix with Walter Murch then again I’m not re-recording mixer Pete Horner who chalks up this film as his second with Walter. In the following video profile, Horner does a great job detailing what they tried to accomplish in the new Coppola film.
Distributed by:
American Zoetrope
Alta Films
Mix Studio:
American Zoetrope
Directed by:
Francis Ford Coppola
Original Music by:
Osvaldo Golijov
Original Film Editing by:
Walter Murch
Sound Department:
| José Caldararo | …. | boom operator |
| Sin Cohen | …. | sound mix engineer |
| Vicente D’Elia | …. | sound recordist |
| Bechen de Loredo | …. | foley mixer |
| Leandro de Loredo | …. | supervising sound editor |
| Federico Esquerro | …. | sound editor |
| Juan Ferro | …. | dialogue editor |
| Colin Guthrie | …. | sound mix engineer |
| Pete Horner | …. | sound re-recording mixer |
| Walter Murch | …. | sound re-recording mixer |
| Francisco Pedemonte | …. | assistant sound editor |
Movie Synopsis: (IMDB)
Fresh faced and naive, 17-year-old Bennie arrives in Buenos Aires to search for his older brother who has been missing for more than a decade. The family had emigrated from Italy to Argentina, but with the great musical success of their father Carlo, an acclaimed symphony conductor, the family moved from Argentina to New York. When Bennie finds his brother, the volatile and melancholy poet Tetro, he is not at all what he expected. In the course of staying with Tetro and his girlfriend Miranda, the two brothers grapple with the haunting experiences of their shared past.
