Synopsis
Jackson Curtis (John Cusack) is a divorced father who occasionally works as a limousine driver and a writer, while his ex-wife (Amanda Peet) and children live together with her new boyfriend. In Guatemala there is word that hundreds of people have committed suicide believing the 2012 Hypothesis is true and in reaction to this, the IHC (Institute for Human Continuity), a secret organization that realizes the world is going to end and starts construction of massive space arks beneath the Himalayan mountains in preparation for theend of the world, is formed. The governments of the world give the IHC the task to save the human race when doomsday happens. When they discover that a global cataclysm caused by the Earth crust displacement will occur faster than expected, they must race to these ships in order to save the human race before all is lost. The life and state of California is completely wiped out when the tectonic plates collapse and fall into the rising seas, Yellowstone supervolcano erupts, massive earthquakes occur in South America and The Vatican crumbles into oblivion. As worldwidefloodings get worse, the US government declares the end of the world. A group of survivors, including Jackson Curtis and his family fight their way to China before they can board the great arks and save themselves from the gigantic tidal waves sweeping across the Earth. The film explores the idea of a global doomsday event coinciding with the end of the Mayan Long Count Calendar's current cycle on or around December 21, 2012 (the northern hemisphere's winter solstice).
Sound Credits
| Lothar Bellutta | Sound Effects Designer |
| Thom Brennan | Foley Editor |
| Michael J. Broomberg | Foley Artist |
| Graham Crowell | Boom Operator: Second Unit |
| Matt Dawson | Adr Mixer |
| Mark DeSimone | Adr Mixer: New York |
| Susan Dudeck | Adr Editor |
| Lee Gilmore | Sound Effects Editor |
| Jeffrey J. Haboush | Sound Re Recording Mixer |
| Greg Hannas | Boom Operator: Second Unit |
| Matthew P. Hanson | Assistant Sound Editor |
| Jamie Hardt | Sound Effects Editor |
| Gary A. Hecker | Foley Artist |
| Michael Hertlein | Dialogue Editor |
| Ryan Juggler | First Assistant Sound Editor |
| Michael Keller | Sound Re Recording Mixer |
| Larry Kemp | Dialogue Editor |
| Rick Kline | Sound Re Recording Mixer |
| Martin Lacroix | Boom Operator: Second Unit |
| Eric Lamontagne | Sound Mixer: Second Unit |
| Tricia Linklater | Adr Sound Assistant |
| Howard London | Adr Mixer |
| Michael McGee | Production Sound Mixer |
| Charles O'Shea | Boom Operator |
| Paul N.J. Ottosson | Sound Designer |
| Paul N.J. Ottosson | Supervising Sound Editor |
| Angelo Palazzo | Sound Effects Editor |
| Michele Perrone | Adr Editor |
| Graham Timmer | Sound Mixer: Second Unit |
| Candice Todesco | Cable Operator |
| Renee Tondelli | Adr Supervisor |
| Robert Troy | Dialogue Editor |
| Bernard Weiser | Sound Effects Editor |
| Philip Young | Adr Recordist |
| Fred Peck III | Mix Technician (Uncredited) |
