Synopsis
In a distant, but not so unrealistic future, where mankind has abandoned earth because it has become covered with trash from products sold by the powerful multi-national Buy N Large corporation, WALL-E, a garbage collecting robot has been left to clean up the mess. Mesmerized with trinkets of Earth's history and show tunes, WALL-E is alone on Earth except for a sprightly pet cockroach. One day, Eve, a sleek (and dangerous) reconnaissance robot, is sent to Earth to find proof that life is once again sustainable. WALL-E falls in love with Eve. WALL-E rescues Eve from a dust storm and shows her a living plant he found amongst the rubble. Consistent with her "directive" Eve takes the plant and automatically enters a deactivated state except for a blinking green beacon. WALL-E, doesn't understand what has happened to his new friend, but true to his love, he protects her from wind, rain, and lightning, even as she is unresponsive. One day a massive ship comes to reclaim Eve, but WALL-E, out of love or loneliness hitches a ride on the outside of the ship to rescue Eve. The ship arrives back at a large space cruise ship, which is carrying all of the humans who evacuated Earth 700 years earlier. The people of Earth ride around this space resort on hovering chairs which give them a constant feed of TV and video chatting. They drink all of their meals through a straw out of laziness and/or bone loss, and are all so fat that they can barely move. When the auto-pilot computer, acting on hastily given instructions sent many centuries before, tries to prevent the people of Earth from returning, by stealing the plant, WALL-E, Eve, the portly captain, and a band of broken robots stage a mutiny.
Sound Credits
| Chris Barron | Digital Sound Transferer (As Christopher Barron) |
| Ben Burtt | Character Voice Designer |
| Ben Burtt | Sound Designer |
| Ben Burtt | Sound Re Recording Mixer |
| Ben Burtt | Supervising Sound Editor |
| Sean Byrne | Sound Re Recordist |
| Vince Caro | Original Dialogue Mixer |
| Dustin Cawood | Sound Effects Editor |
| Frank Clary | Foley Recordist |
| John Countryman | Digital Sound Transferer |
| Teresa Eckton | Sound Effects Editor |
| Coya Elliott | Assistant Supervising Sound Editor |
| Sean England | Foley Recordist |
| Jonathan Greber | Digital Sound Transferer |
| E.J. Holowicki | Additional Sound Designer |
| Bobby Johanson | Additional Dialogue Recordist |
| Doc Kane | Original Dialogue Mixer |
| Zach Martin | Sound Mix Technician |
| Tom Myers | Sound Re Recording Mixer |
| Al Nelson | Sound Effects Editor |
| Juan Peralta | Foley Editor |
| Frank Rinella | Foley Mixer |
| Ronald G. Roumas | Recordist |
| Kevin Sellers | Foley Editor |
| Michael Semanick | Sound Re Recording Mixer |
| Tony Sereno | Sound Mix Technician |
| Steve Slanec | Adr Editor |
| Clint Smith | Sound Recordist |
| Patrick Spain | Assistant Mix Engineer |
| Dennie Thorpe | Foley Artist |
| Jana Vance | Foley Artist |
| Matthew Wood | Supervising Sound Editor |
| Caroline Cannizzaro | Foley Recordist (Uncredited) |
