The Sound of Tetro
What it must be like on the sound crew for a film like “Tetro”. Anyone would be nervous as hell to go and mix with Walter Murch then again I’m not re-recording mixer Pete Horner who chalks up this film as his second with Walter. In the following video profile, Horner does a great job detailing what they tried to accomplish in the new Coppola film.
MOVIE STUDIO
American Zoetrope
SOUND STUDIO
American Zoetrope
DIRECTOR
Francis Ford Coppola
ORIGINAL MUSIC
Osvaldo Golijov
Synopsis
Fresh faced and naive, 17-year-old Bennie arrives in Buenos Aires to search for his older brother who has been missing for more than a decade. The family had emigrated from Italy to Argentina, but with the great musical success of their father Carlo, an acclaimed symphony conductor, the family moved from Argentina to New York. When Bennie finds his brother, the volatile and melancholy poet Tetro, he is not at all what he expected. In the course of staying with Tetro and his girlfriend Miranda, the two brothers grapple with the haunting experiences of their shared past.
Sound Credits
- José Caldararo
- boom operator
- Vicente D'Elia
- sound effects editor
- Vicente D'Elia
- sound recordist
- Bechen de Loredo
- foley mixer
- Leandro de Loredo
- adr editor
- Leandro de Loredo
- adr recordist
- Leandro de Loredo
- sound supervisor
- Federico Esquerro
- foley editor
- Federico Esquerro
- foley recordist
- Juan Ferro
- sound editor
- Colin Guthrie
- sound mix technician
- Pete Horner
- sound re-recording mixer
- Walter Murch
- sound re-recordist
- Francisco Pedemonte
- assistant sound editor
- Sin Cohen
- mix engineer (uncredited)
- Mario González
- adr recordist (uncredited)