The Sound of The King's Speech

February 14, 2011 - 12:00 AM

You might not know Production Sound Mixer John Midgley, but you definitely have heard his incredible collection of work including the first three “Harry Potter” films, “Children of Men”, and “Hotel Rwanda”.

John Midgley was recently honored with his second Academy Award nomination for his work on “The King’s Speech” and was previously nominated for “Star Wars Episode I: The Phantom Menace” in 1999. In this 30-minute conversation, the SoundWorks Collection explore what it was like to capture these critically acclaimed performances by Colin Firth, Geoffrey Rush, and Helena Bonham Carter. Find out how specific scenes in the film were recorded, the challenges that came with the film’s short schedule, and what it takes to be a Production Sound Mixer. God Save the King!

MOVIE STUDIO

The Weinstein Company

DIRECTOR

Tom Hooper

ORIGINAL MUSIC

Alexandre Desplat

Synopsis

After the death of his father King George V (Michael Gambon) and the scandalous abdication of King Edward VIII (Guy Pearce), Bertie (Colin Firth) who has suffered from a debilitating speech impediment all his life, is suddenly crowned King George VI of England. With his country on the brink of war and in desperate need of a leader, his wife, Elizabeth (Helena Bonham Carter), the future Queen Mother, arranges for her husband to see an eccentric speech therapist, Lionel Logue (Geoffrey Rush).

Sound Credits

Peter Burgis
foley artist
Joe Carey
cable person
Philip Clements
assistant sound editor
Naomi Dandridge
adr mixer
Andie Derrick
foley artist
Nick Foley
adr mixer
Michael Fowler
adr mixer
Jim Goddard
sound effects editor
Chris Goodes
adr mixer
Paul Hamblin
sound re-recording mixer
Catherine Hodgson
sound effects editor
Martin Jensen
sound re-recording mixer
Dash Mason-Malik
sound assistant
John Midgley
production sound mixer
Forbes Noonan
adr mixer
Forbes Noonan
assistant sound re-recording mixer
Mike Reardon
boom operator
Andre Schmidt
dialogue editor
Ric Schnupp
adr recordist
Martin Seeley
sound mixer
Matthew Skelding
dialogue editor
Lionel Strutt
adr coordinator
Catherine Thomas
foley editor
Catherine Thomas
foley recordist
Virginia Thorn
assistant dialogue editor
Lee Walpole
supervising sound editor

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